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Cape Town Miracle |  Film-Rezensions.de

Cape Town Miracle | Film-Rezensions.de

Content / criticism

Frankfurt, 1967. Lisa Schell (Sonya Gerhardt) has a dream: she wants to work as a surgeon. She has the talent and will to work harder and better than anyone else. And yet it is not making much progress, because the territory is still an absolute male domain. As said by Professor Dr. cabbage field (Fritz Karl), who is her illegitimate daughter, has been promoted for a promotion, she has had enough. Instead of continuing to hope for recognition from him, she travels to Cape Town to work alongside Caulfield’s colleague and rival D.J. Christian Barnard (Alexander Sher) for work. With the knowledge she gained in Germany, she wants to help him in his research in the field of heart transplantation. But also Hamilton Naki (Louise McDonald) turned out to be a valuable prop. He has only one drawback: the hospital gardener is black and therefore, according to racial laws, he is not officially allowed to be part of the team …

between penetration and repression

It is part of medicine that it is developing so rapidly and new possibilities are being found that sometimes one forgets how difficult the road has been. How unimaginable were the cures that we take for granted today. One of these is definitely heart transplants. This was first introduced in 1967 by South Africa Christian Barnard Who wrote history with this operation – even if the patient died three weeks later. In November, Barnard would have turned 100 ARD He takes the opportunity to pay tribute to the stars with a movie. the address Cape Town wonders Already anticipating the historic achievement of medicine and his team.

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The unexpected thing is that the movie is not told from the aforementioned doctor’s point of view. Instead, we observe events from the point of view of his colleague, Dr. Lisa Schell. This is cool because this person never existed. In fact, there were no women on Barnard’s team at all. The idea behind it is clear: Cape Town wonders He wants to take a historical event in order to give a voice to people who have not been given a voice historically. This means next to black Hamilton Naki, who was already there and is said to have been secretly an important support, just like Scheel. Thus, the drama deals with the oppression of black people and women, although the level of oppression varies greatly.

Clumsy and annoying

As a topic, it is undoubtedly important and still more topical than one would like it to be. Even if a lot has happened in the past five decades, there can be no talk of equal treatment. Just agree Cape Town wonders Balance between the picture of the situation at that time and the history of medical research. In between, the latter is definitely dealt with. However, when the film ends with the touching process and makes a reference to the historical figure, it still comes out of nowhere. The film gives the impression that the advertised event was just an excuse to be able to tell a completely different story. One, the screenwriter Christopher Silver (bank ladyAnd the IM out) much closer.

It’s not just annoying. Nor is it very convincing. So the dialogues are always trying too hard, trying more to get the ideas out there than to sound like natural language. Much has been done about it too, from the intrusive music to the soap opera story about a professor’s illegitimate daughter. Which makes Cape Town wonders A movie more tired than thriller because it often sets wrong priorities. The subjects are no less important or the event less historical. However, this turns the drama into a nuisance that falls short of its potential and whose clumsy manipulation leads to frustration.

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credits

extra time: Cape Town miracle
nation: Germany
year: 2022
Director: Franziska’s book
script: Christopher Silver
Music: Martina Eisenreich
camera: Bella Halpin
works: Sonia Gerhardt, Alexander Scheer, Louiso McDonald, Clara Wolfram, Vikash Mathura, Arend Kluiter, Fritz Karl, Timo Meitner, Michaela Winterstein

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