While most people are underwhelmed as Marvel’s massive train rolls by, one could almost, almost, argue that Star Wars has been left a bit behind since the end of the last trilogy of films. There doesn’t seem to be any plan to create a coherent cinematic universe anytime soon, and that leaves Dave Filoni and Jon Favreau.
In fact, they’ve been given room to play with their own tiny little world, as The Mandalorian paved the way for Ahsoka Tano and many other projects. It’s their own secluded little playground where the two have used nostalgia, collections of exciting new genres and a steady pace to recreate some of the magic that seems lost. We’re now in Season 3 of The Mandalorian, which expands the theme and field of play once again.
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Mando, or Din Djarin, is in trouble and needs to reconnect with his people in Mandalore. This comes amidst a rift on the planet when rebel Bo-Katan is also trying to collect the rubble from the people of Mandalore, but who will lead them? There are many interesting questions, but Episode One remains fantastically limited in its willingness to answer them. So far, this has been one of the show’s greatest abilities, accelerating the expansion of the universe.
However, Mandalore customs, their mutual need to stay true to their military methods, and the possibility of regeneration become a central focus, seems wise, given the rise of iconography, mysticism, and sufficient detachment from the broader myth. to be present here.
Undoubtedly, The Mandalorian remains a great TV series, even if the sequence with a large monster does show some slightly questionable CG effects early on. In lighting, Joseph Shirley’s music and hard rock set design, the series finds its greatest aces up its sleeve. Furthermore, it must be said once again that Pedro Pascal proves time and time again that he has reached gravity and depth. Whether he’s Joel in The Last of Us or under the helmet here, he’s an excellent attacking player.
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He’s flanked again by excellent supporting characters in the form of Emily Swallow’s The Armorer and Carl Weathers’ Greef Karga, and then of course there’s Grogu. The first episode manages to keep things quiet, but it works as the series has built suspense fairly carefully and expanded its world in meaningful ways.
The Mandalorian remains a solid Star Wars series and a solid foundation for Favreau and Filoni to easily build upon. The overall verdict of this third season will ultimately depend on how it moves toward a satisfying climax, but for now we can all breathe a sigh of relief — we’re on the right track.
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