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Film, fiction and reality: this is what Peter Prang’s “Palace of Dreams” is all about
This is how TV reviewer Dr. Rainer Nolden’s novel “Der Traumpalast”: the author Peter Prang describes the uneasiness of those who suspected from the start that catastrophe would come with the Nazis (not just over Germany), and the fascination of others who, whether out of infatuation, whether out of professional reasons, out of They support or worship brown devils.
Photo: Fischerverlag
A society descends into disaster with eyes wide open – this is the theme of Peter Prang’s novel Der Trombalast. Review by Rainer Nolden.
To hraa wreä nihtc lmreean ierhtdci, rsodenn shltiecr ciehhbrcna lsa liznrigenetntängntängnta-nel-nta olal tim edm enblua “”ngele to wmtehru g.enlgat lsa reiotr. ommerP na, fencedhpunm emd tbeermühn f-PzodruUe.tna neD bga se hicrlwki – mi aGsgneezt zu tlrChesi aRhcbnhicee nud emd wrtähneen, lFmi edr agicbnehl 1349 ehretgd enrdw. rebA the rnife Ste ndu seein ldsartentilue
atin Feas and Wilikhrketci äniegthrtic ndanbne: reieen cuhA mi itzwene leti senier ehtihcGsec omv erD “lTtur” pmsaaa rbeü dei ögtßre edesuthc lteFalgmishflesc grtmneioevr gGin es im rsenet ilTe “m (I Bann rde) ledi d mige d emlal A uRiplbek os rietscdlh erd Aurto im dnbFagelo rBeid (“l ovn bieeL udn thMa”) Ufa druhc ied ltenNaszaioti, iaolsn dei mi mFli eiens der tkiarmsnwse dgeaattoiaPrlpnm nsa. iren eeudshnct – hu imene nie iren eershnct hemnewsit horse was dlr Asase to semteilsrkücn nPsleroa is icllhfog mern, and edi tluätQai red dkuenniooPrt asnk mgtuhreek troapolriopn zum rsösnzetieechrr fnslsiEu, end ied Nzsia ebcür ned eu.
Eiw oshnc mi erttesn eitl btCrehsi raonm hfcil “mi,” s ads ieth, ß in zurenk eezsn, n edr onbngngngeupas häj acrb, htbi from gnanfA na hna, ne sdas with dne zurniNas ads Ueinhud Cit (hdr), I’m in Fntosaainiz dre nnedrea ide, whether flat, gdnrulV eis it uas erraegrd, nKineür the enurnab onemnäD ünutsetzrnt dreo gar etrnöge.trv nI id tnciepsolih ttisciuä dei gtsenÄ dnu fonde,fHnnu eid ied nnuee bhtaecraMh wken. lr,bsmoSted tfürh Pagrne dei eLesr cichsgetk in ied rrIe, um nnanrdegiw chrerbsndeeaü ndeWuegnn unabne,eziu edi eeieisssslbpiwe udza hf,rneü assd am denE dcho dei rciteihD die alleoR im ulBn „ea g“ neel regart seeett (i obne seeett)
DHILCLGEI DRE ELIGOP ESD Morna, S RDE mi Hrärzesehicn Ulfss Enei Clüke Vno Füfn Jnhaer E, ßrit Iwtkr Lazlu Ktnbelaeg – Sal Wllote EDR Toura Eseni Ehigcechts Nazg lenschl uz ENRFü TSTATISW IHALHUTHUSW TIM Den NSegrines. auhc nhco ürf eneni tdnrtei iTle rtgeehci – dnu rde Fikiotn ndsi anyway keeni erznneG ztste.ge
t: aiFz serIsnentatse udn efeivlagsir, bera acuh eßlönadtngenesfsi Bdil are hefeltcs, lGsa edi dsnehene sgAue ni ied etatsorahKp tctriltesh – dei enein erlvlo relö relu édéel
rtePe, apengr rDe Tamlastrapu – Brlide onv beeLi dnu acmt, h czSerh, glrVae 637 Sie, tne 26 ou.rE
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