Review by Jonathan Cohen – Handel: Theodora

Opinions are divided over Handel's English-language oratorio of the martyr in light of Emperor Diocletian's persecution of Christians since 1750. Instead of the gloom of the bad ending, which is unusual in this genre, and the excessive flawlessness of Theodora, Jonathan Cohen has discovered the potential of streamlined drama in Arcangelo, a work Which has now received more attention. Above all, Cohen creates sparks of contrast with the eunuch part of Didymus, which Tim Mead highlights so clearly. In this very colorful sound environment, Louise Alder almost becomes a heroine in the title role with her clear, warm, angelic voice, whose orchestral aura is reflected with radiance, brilliance and excitingly layered instruments. Although devoid of plot, the impressive score very plausibly emphasizes the closeness of Handel's oratorio to the opera.

Handel: Theodora HWV 68

Louise Alder (soprano), Tim Meade (countertenor), Anna Stefani (mezzo-soprano), Stuart Jackson (tenor), Adam Plachetka (bass-baritone), Arcangelo, Jonathan Cohen (conductor)
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Tim Med

Tim Meade's professional focus was originally on cello and piano, and it was only during his studies that he discovered his passion for singing. Born in 1981 in Chelmsford, Essex, the countertenor gained his first musical experiences… Continue